{"id":2318,"date":"2021-02-26T11:49:42","date_gmt":"2021-02-26T11:49:42","guid":{"rendered":"http:\/\/torrilana.sviluppo.host\/progetti\/"},"modified":"2023-10-12T12:54:05","modified_gmt":"2023-10-12T12:54:05","slug":"projects","status":"publish","type":"page","link":"https:\/\/torrilana.it\/en\/projects\/","title":{"rendered":"Projects"},"content":{"rendered":"

[vc_section full_width=”stretch_row” css=”.vc_custom_1613867760348{padding-top: 0px !important;background-color: #f3f0ed !important;}”][vc_row equal_height=”yes”][vc_column offset=”vc_col-lg-2 vc_col-md-2″][\/vc_column][vc_column offset=”vc_col-lg-10 vc_col-md-10″][vc_row_inner el_class=”prj-pdd-st2c”][vc_column_inner][vc_empty_space height=”110px” alter_height=”none” hide_on_mobile=””][vc_column_text css_animation=”fadeInDown” el_class=”text-style-2 prjct-txt-width-style-2″]It is incredible to see how powerful personal and corporate growth can be when design, art, passion and skills come together in the common goal of creating unique objects.
\n[\/vc_column_text][vc_empty_space height=”35px” alter_height=”none” hide_on_mobile=””][vc_single_image image=”2028″ img_size=”full” alignment=”center” css_animation=”fadeInRight” el_class=”img-fancybox”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][\/vc_section][vc_section full_width=”stretch_row”][vc_row el_class=”prj-pdd-st3c”][vc_column][vc_empty_space height=”30px” alter_height=”none” hide_on_mobile=””][vc_empty_space height=”10px” alter_height=”none” hide_on_mobile=”1″][vc_custom_heading text=”PROJECT FOR POLTRONA FRAU.
\nSANLUCA 50+50. CASTIGLIONI. MAX HUBER. MILAN. 03 \u2014 10 \u2014 2018″ font_container=”tag:h1|font_size:25px|text_align:left|line_height:30px” google_fonts=”font_family:Roboto%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C500%2C500italic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal” css=”.vc_custom_1696339978249{margin-top: 0px !important;}”][\/vc_column][\/vc_row][vc_row content_placement=”middle” el_class=”prj-pdd-st3c”][vc_column offset=”vc_col-lg-6 vc_col-md-6″][vc_single_image image=”2033″ img_size=”full” alignment=”center” el_class=”img-fancybox”][\/vc_column][vc_column el_class=”project-custom-width” offset=”vc_col-lg-6 vc_col-md-6″][vc_column_text el_class=”prjct-txt-width”]The aim was to re-edit the Sanluca armchair designed by Achille and Pier Giacomo Castiglioni, with a completely new approach, covering it with a fabric from the unpublished work \u201cGeophysical Waves\u201d by the famous graphic designer Max Huber, a very close friend. The challenge was to transfer a graphic design in its exact proportions to a soft Jacquard fabric in wool and cotton. Everyone, within their respective areas of responsibility, took on with great enthusiasm all that was needed to achieve the goal. The design was scanned and Torri Lana then transformed it into a weaving program that made it possible to create an exclusive fabric.[\/vc_column_text][vc_empty_space height=”30px” alter_height=”none” hide_on_mobile=””][\/vc_column][\/vc_row][\/vc_section][vc_section full_width=”stretch_row” css=”.vc_custom_1613852580532{padding-top: 0px !important;background-color: #f3f0ed !important;}”][vc_row el_class=”prj-pdd-st3c”][vc_column el_class=”project-custom-width-style-2″ offset=”vc_col-lg-6 vc_col-md-6″][vc_empty_space height=”30px” alter_height=”none” hide_on_mobile=””][vc_empty_space height=”30px” alter_height=”none” hide_on_mobile=”1″][vc_empty_space height=”30px” alter_height=”none” hide_on_mobile=”1″][vc_column_text el_class=”text-style-2 prjct-txt-width-style-2″]\u201cTeamwork, passion, research, attention to detail, design culture and reliability.<\/p>\n

These values make the experience of product development true, passionate and shared. This is also motivated by the great passion for design and enthusiasm for challenges and new projects.[\/vc_column_text][vc_empty_space height=”30px” alter_height=”none” hide_on_mobile=””][vc_column_text el_class=”prjct-txt-width-style-2″]It was therefore easy to get in touch with Torri Lana to propose the idea of creating a special fabric to cover the Sanluca Limited Edition, which celebrates the Castiglioni brothers and their friendship with Max Huber.\u201d<\/p>\n

POLTRONA FRAU STYLE & DESIGN CENTER[\/vc_column_text][vc_empty_space height=”30px” alter_height=”none” hide_on_mobile=””][\/vc_column][vc_column offset=”vc_col-lg-6 vc_col-md-6″][vc_single_image image=”2031″ img_size=”full” alignment=”center” el_class=”img-fancybox”][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”90px” alter_height=”none” hide_on_mobile=””][\/vc_column][\/vc_row][\/vc_section][vc_section][vc_row][vc_column][vc_row_inner el_class=”prj-pdd-st2c prjc-2cs”][vc_column_inner][vc_empty_space height=”110px” alter_height=”none” hide_on_mobile=””][vc_custom_heading text=”PROJECT FOR FENDI CASA.
\nSIX SHADES OF PALMER. TOAN NGUYEN. MILAN. 04 \u2013 2017″ font_container=”tag:h2|font_size:25px|text_align:left|line_height:30px” google_fonts=”font_family:Roboto%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C500%2C500italic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal” css=”.vc_custom_1696340073618{margin-top: 0px !important;}”][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=”prj-pdd-c prjc-2cs”][vc_column_inner][vc_empty_space height=”30px” alter_height=”none” hide_on_mobile=””][vc_single_image image=”1994″ img_size=”full” alignment=”center” el_class=”img-fancybox”][vc_empty_space height=”30px” alter_height=”none” hide_on_mobile=””][vc_column_text]\u201cMaison Fendi asked me to create a unique and iconic piece that could connect the world of fashion to that of furniture, at the Salone del Mobile 2017 in Milan. We had the opportunity to develop a range of six coloured fabrics with Torri Lana. Our goal was to create for the Maison Fendi a composition of the modular sofa Palmer in perfect gradient between a specific shade of red and pink. The idea of a gradient in itself was not particularly innovative, but the application on a structured multiyarn fabric and in perfect harmony was. Although the computer was a fundamental tool to start with, it was the Torri Lana team expert eye, sensitivity and experience that made this project possible.\u201d \u2013 Toan Nguyen[\/vc_column_text][vc_empty_space height=”30px” alter_height=”none” hide_on_mobile=””][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=”prj-pdd-c prjc-2cs”][vc_column_inner offset=”vc_col-lg-8 vc_col-md-8″][vc_single_image image=”1989″ img_size=”full” alignment=”center” el_class=”img-fancybox”][vc_empty_space height=”30px” alter_height=”none” hide_on_mobile=””][\/vc_column_inner][vc_column_inner offset=”vc_col-lg-4 vc_col-md-4″][vc_single_image image=”2000″ img_size=”full” alignment=”center” el_class=”img-fancybox”][vc_empty_space height=”30px” alter_height=”none” hide_on_mobile=””][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”90px” alter_height=”none” hide_on_mobile=””][\/vc_column][\/vc_row][\/vc_section][vc_section full_width=”stretch_row” el_class=”project-section-style-1″][vc_row][vc_column][vc_row_inner el_class=”prj-pdd-st2c”][vc_column_inner][vc_empty_space height=”110px” alter_height=”none” hide_on_mobile=””][vc_custom_heading text=”PROJECT FOR HELLA JONGERIUS.
\nLONDON DESIGN MUSEUM. BREATHING COLOUR. LONDON. 28.06.2017-24.09.2017″ font_container=”tag:h2|font_size:25px|text_align:left|line_height:30px” google_fonts=”font_family:Roboto%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C500%2C500italic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal” css=”.vc_custom_1696340103733{margin-top: 0px !important;}”][vc_empty_space height=”30px” alter_height=”none” hide_on_mobile=””][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row disable_element=”yes” el_class=”prj-pdd-st3c”][vc_column][trx_sc_promo type=”default” icon_type=”fontawesome” icon_fontawesome=”” title=”” subtitle=”” description=”” link=”” link_text=”” link_image=”” text_bg_color=”” image=”2018″ image_position=”right” image_width=”50%” image_cover=”1″ image_bg_color=”” size=”normal” text_width=”none” text_float=”none” text_align=”none” full_height=”” text_paddings=”” text_margins=”” gap=”” scheme=”inherit” id=”” class=”” css=””][vc_row_inner el_class=”prjc-pdd-stl3-c inner-row-padd-1″][vc_column_inner][vc_column_text]Quando lo Jongeriuslab ci ha contattato all\u2019inizio del 2017, abbiamo subito accettato con entusiasmo questa nuova sfida. Hella e il suo staff sono stati nel nostro stabilimento, visionando il nostro archivio e il parco macchine. Abbiamo messo a disposizione il nostro know-how e si \u00e8 subito creata un\u2019ottima affinit\u00e0 personale e lavorativa. In seguito ci \u00e8 stato chiesto di collaborare allo sviluppo di un nuovo concept per la sezione \u201cfading evening\u201d la luce che sfuma di sera, per la mostra Breathing Colour. Veder nascere una famiglia di tessuti con aspetti inusuali e completamente innovativi, \u00e8 stata per noi un\u2019esperienza unica ed indimenticabile. Siamo stati onorati di partecipare a questo progetto culturale, di grande rilievo internazionale, e di veder esposti i nostri tessuti nel giugno 2017 al London Design Museum.[\/vc_column_text][vc_empty_space height=”50px” alter_height=”none” hide_on_mobile=””][vc_empty_space height=”50px” alter_height=”none” hide_on_mobile=”1″][vc_single_image image=”2014″ img_size=”full” alignment=”center” el_class=”img-fancybox”][\/vc_column_inner][\/vc_row_inner][\/trx_sc_promo][\/vc_column][\/vc_row][vc_row el_class=”prj-pdd-st3c”][vc_column][vc_row_inner equal_height=”yes” el_class=”hella-jongerius”][vc_column_inner width=”1\/2″][vc_column_text]
\nWhen Jongeriuslab approached us at the beginning of 2017, we accepted this new challenge with enthusiasm. While Hella and her staff were visiting our company, they had a good look at our archives and machinery. We put our technical know-how to use and immediately created a good personal working environment. We were then asked to collaborate on the development of a new concept for the \u201cfading evening\u201d section, the light that fades in the evening, for the Breathing Colour exhibition. Observing the creation of such a fabric with unusual and completely innovative aspects, was a unique and unforgettable experience for us. We were honoured to participate in this cultural project of great international importance, and to see our fabrics exhibited at the London Design Museum, in June 2017.[\/vc_column_text][vc_empty_space height=”50px” alter_height=”none” hide_on_mobile=””][vc_empty_space height=”50px” alter_height=”none” hide_on_mobile=”1″][vc_single_image image=”2014″ img_size=”full” alignment=”center” el_class=”img-fancybox”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”2018″ img_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”60px” alter_height=”none” hide_on_mobile=”1″][\/vc_column][\/vc_row][vc_row el_class=”prj-pdd-st3c”][vc_column el_class=”prjc-pdd-stl3-c” offset=”vc_col-lg-6 vc_col-md-6″][vc_empty_space height=”30px” alter_height=”none” hide_on_mobile=””][vc_column_text el_class=”text-style-2″]\u201cGood mills like Torri Lana \u2013 with excellent people who are technically skilled and have a sensibility for the materials they work with \u2013 are essential for me as designer. The mill\u2019s translation of my hand woven design samples into industrial products is one of the keys to innovation for me. Together, we push boundaries and Create magic\u201d.<\/p>\n

HELLA JONGERIUS[\/vc_column_text][\/vc_column][vc_column width=”1\/2″ offset=”vc_col-lg-3 vc_col-md-3″][vc_empty_space height=”30px” alter_height=”none” hide_on_mobile=””][vc_single_image image=”2020″ img_size=”full” alignment=”center” el_class=”img-fancybox”][\/vc_column][vc_column width=”1\/2″ offset=”vc_col-lg-3 vc_col-md-3″][vc_empty_space height=”30px” alter_height=”none” hide_on_mobile=””][vc_single_image image=”2022″ img_size=”full” alignment=”center” el_class=”img-fancybox”][\/vc_column][\/vc_row][vc_row el_class=”prj-pdd-st3c”][vc_column][vc_empty_space height=”90px” alter_height=”none” hide_on_mobile=””][\/vc_column][\/vc_row][\/vc_section][vc_section full_width=”stretch_row” el_class=”project-section-style-1 progectbkg-85″][vc_row][vc_column][vc_row_inner el_class=”prj-pdd-st2c”][vc_column_inner][vc_empty_space height=”110px” alter_height=”none” hide_on_mobile=””][vc_custom_heading text=”PROJECT FOR ‘INVASIONE RUPESTRE’.
\nA TAPESTRY DESIGNED BY SIX HANDS WOVEN BY TORRI LANA 1885″ font_container=”tag:h2|font_size:25px|text_align:left|line_height:30px” google_fonts=”font_family:Roboto%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C500%2C500italic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal” css=”.vc_custom_1697114750422{margin-top: 0px !important;}”][vc_empty_space height=”30px” alter_height=”none” hide_on_mobile=””][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]In the beginning, there was no tapestry and there were only rocks in our heads.
\nThe rock figures are engraved on stone without any apparent hierarchy. On the same rock stand very large and very small figures, in one direction or the opposite, from the east or from the west, in one direction and the opposite, upside down and downside up, obvious or hidden. The rocks now appear as an uninterrupted pattern spanning millennia.<\/p>\n

[\/vc_column_text][vc_column_text el_class=”text-style-2″]Stone figures happen.[\/vc_column_text][vc_empty_space height=”30px” alter_height=”none” hide_on_mobile=””][vc_single_image image=”4280″ img_size=”full”][vc_empty_space height=”30px” alter_height=”none” hide_on_mobile=””][vc_column_text]We took them, rewrote them, cut them out, drew them, disassembled and reassembled them, serially reinterpreted them in a thousand different ways. We did it together.<\/p>\n

The idea of finding a new sign on the rocks each time stirred the curiosity necessary to return to them again and again. New figures came out of it. And for them we imagined a new space, made of paper, chosen from many and made inhabitable.<\/p>\n

There, we triggered clashes and encounters between one figure and the next, ordered constellations of drawings without steps of scale, with the pieces always in our hands and our eyes on them. From the beginning to the end, inside a ten-metre-long paper space, from the end to the beginning.<\/p>\n

[\/vc_column_text][vc_column_text el_class=”text-style-2″]Textile figures happen.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”4282″ img_size=”full” el_class=”img-fancybox”][vc_empty_space height=”30px” alter_height=”none” hide_on_mobile=””][vc_single_image image=”4284″ img_size=”full” el_class=”img-fancybox”][vc_empty_space height=”30px” alter_height=”none” hide_on_mobile=””][vc_single_image image=”4287″ img_size=”full” el_class=”img-fancybox”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row el_class=”prj-pdd-st3c”][vc_column][vc_empty_space height=”60px” alter_height=”none” hide_on_mobile=”1″][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text el_class=”text-style-2″]Elena Turetti, Sara Donati and Sara Galli as illustrators took a year and a half to study the eight archaeological parks in the valley and to bring back on a giant sheet of paper symbols, figures and scenes imprinted in the rocks.
\nA great deal of precision work subsequently evolved into the production of the tapestry[\/vc_column_text][vc_empty_space height=”60px” alter_height=”none” hide_on_mobile=”1″][\/vc_column][\/vc_row][\/vc_section][vc_row full_width=”stretch_row_content_no_spaces” equal_height=”yes” el_class=”project-section-invasione”][vc_column width=”1\/4″][vc_single_image image=”4290″ img_size=”full” el_class=”img-fancybox”][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”4292″ img_size=”full”][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”4294″ img_size=”full” el_class=”img-fancybox”][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”4296″ img_size=”full” el_class=”img-fancybox”][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”70px” alter_height=”none” hide_on_mobile=””][vc_column_text]The tapestry is part of Invasione Rupestre, a collective project conceived and commissioned by the Cooperativa Sociale Il Cardo, Edolo (Bs), to return to the questioning of that heritage of engraved signs that has been, for 10,000 years onwards, right in Valle Camonica, but which has the flavour of the whole of humanity.<\/p>\n

Project curator: Marco Milzani, Il Cardo Cooperativa Sociale Onlus
\nwww.ilcardo.itAuthors: Sara Donati, Sara Galli, Elena Turetti
\nTapestry weaving: Torri Lana 1885 Gandino (BG)
\nSize 1.40 x10 m[\/vc_column_text][vc_row_inner][vc_column_inner][vc_empty_space height=”70px” alter_height=”none” hide_on_mobile=””][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_section][vc_row full_width=”stretch_row” el_class=”backgray-lino” css=”.vc_custom_1693730772768{background-color: #f3f0ed !important;}”][vc_column][vc_empty_space height=”70px” alter_height=”none” hide_on_mobile=””][vc_custom_heading text=”PROJECT FOR “LINO IN VALGANDINO\u201d.
\nCERTIFIED COPIES OF THE HOLY SHROUD” font_container=”tag:h2|font_size:25px|text_align:left|line_height:30px” google_fonts=”font_family:Roboto%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C500%2C500italic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal” css=”.vc_custom_1696340225668{margin-top: 0px !important;}”][vc_empty_space height=”30px” alter_height=”none” hide_on_mobile=””][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” gap=”30″ el_class=”section-sindone-progetti”][vc_column width=”1\/2″][vc_single_image image=”4008″ img_size=”full” el_class=”img-fancybox”][\/vc_column][vc_column width=”1\/2″ el_class=”maxwidth450″][vc_column_text]April 2020 saw the start of one of the most unusual projects we have ever been involved in.[\/vc_column_text][vc_empty_space height=”30px” alter_height=”none” hide_on_mobile=””][vc_column_text el_class=”text-style-2″]Selected flax seeds were planted in a field belonging to the Torri family. We followed the entire productive chain, from cultivation to weaving, for the realization of a fabric with a high symbolic value: a linen fabric used to make authenticated copies of the Holy Shroud.[\/vc_column_text][vc_empty_space height=”30px” alter_height=”none” hide_on_mobile=””][vc_column_text]The request came from the Congregation of the Holy Shroud of Turin, which felt the need to make the sacred image visible to a larger number of believers all over the world, while at the same time protecting the precious and delicate original relic, whose display must necessarily be limited.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” el_class=”sindoneback”][vc_column][vc_empty_space height=”80px” alter_height=”none” hide_on_mobile=””][vc_column_text]

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